Zip-a-Dee-Doo-Dah

Blaxploitation and the White Backlash (Six Degrees of Song of the South, Episode 5) by Karina Longworth

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Listen to this episode on Apple Podcasts

Song of the South’s most successful re-release came in 1972, at a time when Hollywood was dealing with race by making two very different kinds of movies: Blaxploitation films, which gave black audiences a chance to see black characters triumph against white authority figures; and movies like Dirty Harry, which were emblematic of a concurrent cultural and political shift away from the Civil Rights Movement and toward Reagan-style Republicanism. 

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Music:

The music used in this episode, with the exception of the intro and outro, was sourced from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca. The outro song this week is “Pusherman” by Curtis Mayfield. 

Excerpts from the following songs were used throughout the episode:

Serene Pastoral Folk Blues - Alexandre Stephane Rusian Toukaeff, Baptiste Vayer
Cotton Flower - Paul Martin Pritchard
Yacht Club - Alain Francois Edouard Bernard
Whimsicality - Laurent Dury
Reflections Underscore - Jack Richard Pierce
Converted Livestock Farmers - Baptiste Francois Guillaume Thiry
Hanging Tree - Wayne Anthony Murray, Tobias Macfarlaine, Elmore King
Rattle Them Chains - Wayne Anthony Murray, Tobias Macfarlaine, Elmore King
Free Stylin - Daryl Neil, Alexander Griffith
Memory Echoes - Hiroki Ishikura
Foxy Brown - David Oliver Rieu
Black Gumshoe - David Oliver Rieu
Blue Sophisticate - Marian McPartland
Ain't No Money in the Blues - Eric John LaBrosse, Jason Michael Carter, Joshua Phillip Cass Matthew Robert Danbeck, Adam Patrick Tremel
Gumshoe Blues - Paul Martin Pritchard
Nightly - Ilan Moshe Abou, Thierry Oliver Faure
Monsieur Taxi - Renaud Vincent Garcia Fons
Fancy Footwalk - Daniel Horacio Diaz
South Border - Olivier Jean Roger Samoillan

Credits:

This episode was written, narrated and produced by Karina Longworth.

Editor: Andi Kristins.

Research and production assistant: Lindsey D. Schoenholtz.

Social media assistant: Brendan Whalen.

Logo design: Teddy Blanks.

“Zip-a-Dee-Doo-Dah,” Minstrels in Hollywood and the Oscars (Six Degrees of Song of the South, Episode 3) by Karina Longworth

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Listen to this episode on Apple Podcasts.

Song of the South’s most famous element is “Zip-a-Dee-Doo-Dah,” a song written for the movie but reminiscent of a racist standard popularized in blackface minstrel shows of the 1830s. Today we’ll explore this song and the other ways in which minstrel imagery and tropes made their way into Song of the South and other animated and live action films of the first half of the 20th century. And, we'll talk about how all of this is related to Walt Disney's push to net Song of the South Oscars.

James Baskett in Song of the South (1946)

James Baskett in Song of the South (1946)

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Music:

The music used in this episode, with the exception of the intro and outro, was sourced from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca. The outro song this week is “Zip-a-Dee-Doo-Dah” sung by Rik Ocasek.

Excerpts from the following songs were used throughout the episode:

Jackson 5 - Zip-a-Dee-Doo-Dah
Doris Day - Zip-a-Dee-Doo-Dah
Los Lobos - Zip-a-Dee-Doo-Dah
The Hollies - Zip-a-Dee-Doo-Dah
Bob B. Soxx & The Blue Jeans - Zip-a-Dee-Doo-Dah
Miley Cyrus (as Hannah Montana) - Zip-a-Dee-Doo-Dah
Paul Martin Pritchard - Gumshoe Blues
Manuel Galvin, Jean-Jacques Marcel, Maurice Milteau - Memphis Minstrels
John Neville Rufus Altman - Sneak Easy
Jahzzar - Railroad's Whiskey Co
Wayne Anthony Murra, Tobias Macfarlaine, Elmore King - Hanging Tree
Paul Martin Pritchard - Wandering Nights
Daniel Horacio Diaz, Andre Paul Marie, Charlier - Our Man In Miami
Daniel Horacio Diaz - The Setup
Daniel Horacio Diaz - Fancy Footwork
Robert Bernhard Hauser - The Piano Bar Player
Rik Ocasek - Zip-a-Dee-Doo-Dah

Credits:


This episode was written, narrated and produced by Karina Longworth.

Editor: Jared O'Connell.

Research and production assistant: Lindsey D. Schoenholtz.

Social media assistant: Brendan Whalen.

Logo design: Teddy Blanks.

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