1940s hollywood

Blaxploitation and the White Backlash (Six Degrees of Song of the South, Episode 5) /  by Karina Longworth

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Listen to this episode on Apple Podcasts. 

Song of the South’s most successful re-release came in 1972, at a time when Hollywood was dealing with race by making two very different kinds of movies: Blaxploitation films, which gave black audiences a chance to see black characters triumph against white authority figures; and movies like Dirty Harry, which were emblematic of a concurrent cultural and political shift away from the Civil Rights Movement and toward Reagan-style Republicanism. 

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Music:

The music used in this episode, with the exception of the intro and outro, was sourced from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca. The outro song this week is “Pusherman” by Curtis Mayfield. 

Excerpts from the following songs were used throughout the episode:

Serene Pastoral Folk Blues - Alexandre Stephane Rusian Toukaeff, Baptiste Vayer
Cotton Flower - Paul Martin Pritchard
Yacht Club - Alain Francois Edouard Bernard
Whimsicality - Laurent Dury
Reflections Underscore - Jack Richard Pierce
Converted Livestock Farmers - Baptiste Francois Guillaume Thiry
Hanging Tree - Wayne Anthony Murray, Tobias Macfarlaine, Elmore King
Rattle Them Chains - Wayne Anthony Murray, Tobias Macfarlaine, Elmore King
Free Stylin - Daryl Neil, Alexander Griffith
Memory Echoes - Hiroki Ishikura
Foxy Brown - David Oliver Rieu
Black Gumshoe - David Oliver Rieu
Blue Sophisticate - Marian McPartland
Ain't No Money in the Blues - Eric John LaBrosse, Jason Michael Carter, Joshua Phillip Cass Matthew Robert Danbeck, Adam Patrick Tremel
Gumshoe Blues - Paul Martin Pritchard
Nightly - Ilan Moshe Abou, Thierry Oliver Faure
Monsieur Taxi - Renaud Vincent Garcia Fons
Fancy Footwalk - Daniel Horacio Diaz
South Border - Olivier Jean Roger Samoillan

Credits:

This episode was written, narrated and produced by Karina Longworth.

Editor: Andi Kristins.

Research and production assistant: Lindsey D. Schoenholtz.

Social media assistant: Brendan Whalen.

Logo design: Teddy Blanks.

YMRT #27: Star Wars Episode I: Bette Davis and the Hollywood Canteen /  by Karina Longworth

Listen to this episode on Apple Podcasts.

Today we’re launching a new series for the new year, Star Wars, which will focus on movie stars and their lives and careers during times of war. Our first eight episodes will explore stories of women during World War II, and we’ll start with the woman who dominated all aspects of Hollywood, including its war effort, in the late 1930s-early 1940s: BetteDavis.

This is the story of how BetteDavis evolved from a wannabe starlet who was constantly told she was too ugly for movies, to the most powerful woman in Hollywood, by playing heroines that had never been seen on screen before — to borrow a term from Davis herself, sympathetic “bitches.” After Pearl Harbor, the tenacious Bette became the figurehead of the Hollywood Canteen, a nightclub for servicemen staffed by stars, which was the locus of the industry’s most visible support of the troops on the home front.

The Hollywood Canteen was a catalyst for propaganda in more ways than one, aims Hollywood furthered by telling the story of the Hollywood Canteen in a movie called, um, Hollywood Canteen, starring Davis, John Garfield, Barbara Stanwyck, Peter Lorre and other celebrities as “themselves.” The movie and most press accounts of the Canteen portray it as a miraculous force for good in the world, which it probably was, but that narrative leaves out a lot, including illicit affairs, a murder, and an FBI investigation whose findings would have an impact on the blacklist of the following decade. 

Show Notes

This episode was a hell of a thing to research. BetteDavis published two autobiographies and both are very, very far from being impartial, but I consulted The Lonely Life a bit, as well as the authorized biography The Girl Who Walks Home Alone by Charlotte Chandler. I’d also recommend the Mysteries and Scandals episode on Davis, mostly to marvel at all of the ways in which A.J. Benza manages to call her a bitch without actually using the word “bitch.” Mark Harris’ Five Came Back was useful, particularly in its shading of the relationship between Davis and William Wyler.

More difficult was nailing down the story of the Hollywood Canteen. Hollywood Canteen: Where the Greatest Generation Danced With the Most Beautiful Girls in The World is as prosaic as its title; at least Hollywood’s propaganda about the Canteen, including the Delmer Daves movie Hollywood Canteen (excerpted in the episode) makes the spin fun. Much, much better is Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen. by Sherrie Tucker — a fascinating, beautifully written and researched study of the Canteen which goes into deep consideration of the social/racial/class/political conflicts enmeshed into this supposedly squeaky-clean nightclub which has become an icon of the supposed uncomplicated patriotism of the generation who fought WWII.

Discography:

Dance of the Stargazer performed by the US Army Blues Band

Rite of Passage by Kevin MacLeod

Lonely Town performed by Blossom Dearie

Ghost Dance performed by Kevin MacLeod

Au coin de la rue by Marco Raaphorst

I Knew a Guy by Kevin MacLeod

The Insider Theme by The Insider

5:00 AM by Peter Rudenko

Will be war soon? by Kosta T

Off to Osake by Kevin MacLeod

Balcarabic Chicken by Quantum Jazz

Hi Ho Trailus Bootwhip by Louis Prima and His Orchestra

Divider by Chris Zabriskie

My Country by Tune-Yards