Production Designer

Terms of Endearment (Polly Platt, The Invisible Woman, Episode 7) by Karina Longworth

Polly Platt on the phone at her office at Paramount Pictures, 1984 | Photo by Bob Chamberlin / Los Angeles Times via Getty Images

Polly Platt on the phone at her office at Paramount Pictures, 1984 | Photo by Bob Chamberlin / Los Angeles Times via Getty Images

Listen to this episode on Apple Podcasts.

Polly’s third marriage falls apart, and she enters more than one destructive affair. During these tumultuous times, Polly establishes a new collaboration with a male writer-director, James L. Brooks, and together the two turn another Larry McMurtry novel into a classic film: Terms of Endearment. Once again, while working on this film about a combative mother-daughter relationship, Polly finds that art and life are intertwined. Polly’s own story starts showing up in other people’s movies, including Irreconcilable Differences -- starring Ryan O’Neal as a version of Bogdanovich.

Shirley MacLaine, Debra Winger and Jack Nicholson in Terms of Endearment, 1983 | Photo by Archive Photos/Getty Images

Shirley MacLaine, Debra Winger and Jack Nicholson in Terms of Endearment, 1983 | Photo by Archive Photos/Getty Images

SHOW NOTES: 

Sources specific to this episode:

This season is based in large part on Polly Platt's unpublished memoir, It Was Worth It, excerpted with the permission of Sashy Bodganovich.

This episode includes excerpts from interviews with: Antonia Bogdanovich, Sashy Bogdanovich, Penney Finkelman Cox, Rachel Abramowitz, and Lisa Maria Radano.

Here is a full list of sources referenced on this season

Polly Platt and her daughters Antonia and Sashy Bogdanovich on their way to the Academy Awards | Photo Courtesy of Sashy Bogdanovich

Polly Platt and her daughters Antonia and Sashy Bogdanovich on their way to the Academy Awards | Photo Courtesy of Sashy Bogdanovich

Music:

The music used in this episode, with the exception of the intro, was sourced from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca.  

Excerpts from the following songs were used throughout the episode: 

Tender Warmth - James William Charles Yan
Asian Relax - Neuromancer
She Was A Dancer - Indigo Days
Prelude A L'apres -Claude Debussy
Trompette - Neuromancer
Share My Fears - Sage Oursier
Rise of the Velcro - Gabriel Lewis
Impenetrable - Taylor Crane
There’s a Special Place for Some People - Chris Zabriskie
Rite of Passage - Kevin MaLeod
Laserdisc - Chris Zabriskie

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Credits:

This episode was written, narrated and produced by Karina Longworth.

Featuring special guests: Maggie Siff as the voice of Polly Platt.

Research and production assistant: Lindsey D. Schoenholtz.

Social media, transcription and additional research: Brendan Whalen.

Transcription and additional research: Kristen Sales and Wiley Wiggins.

Edited by: Brendan Byrnes.

Produced by: Tomeka Weatherspoon.

Audio engineers: Jared O'Connell, Andrea Kristins and Brendan Byrnes.

Supervising Producer: Josephine Martorana.

Executive Producer: Chris Bannon.

Logo design: Teddy Blanks.

A Star is Born (Polly Platt, The Invisible Woman, Episode 5) by Karina Longworth

Listen to this episode on Apple Podcasts

When Polly begins her own on-set affair, the double standard of what men can get away with in Hollywood versus what was expected for women would push her to a breaking point. With collaborating with her ex-husband no longer an option, Platt starts attempting to rebuild her career, designing classics such as A Star is Born and Bad News Bears, while also navigating predatory men in power in post-sexual revolution Hollywood.  

Barbra Streisand, Kris Kristofferson in A Star is Born (1976)

Barbra Streisand, Kris Kristofferson in A Star is Born (1976)

SHOW NOTES: 

Sources specific to this episode:

This season is based in large part on Polly Platt's unpublished memoir, It Was Worth It, excerpted with the permission of Sashy Bodganovich.

 This episode includes excerpts from interviews with: Frank Marshall, Antonia Bogdanovich, Sashy Bogdanovich, Nessa Hyams, Rachel Abramovitz, and Nancy Griffin. 

Here is a full list of sources referenced on this season

Polly Platt c. 1970’s | Photo Courtesy of Antonia Bogdanovich

Polly Platt c. 1970’s | Photo Courtesy of Antonia Bogdanovich

Music:

The music used in this episode, with the exception of the intro, was sourced from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca.  

Excerpts from the following songs were used throughout the episode: 

I Know A Guy - Kevin McLeod
Sunset - Kai Engel
There’s a Special Place For Some People - Chris Zabriskie
Sleeping Beauty - Dominic Ashworth, Derek Nash
Still Moment - Gemma Barkerwood, Sophie Barkerwood 
Rite of Passage - Kevin McLeod
Never Wake Up - David Schmidt
Trust In Fate - Julien Bonneau, Fransois Rousselot 
Suspicious Cat -Ilan Moshe Abou,Thierry Oliver Faure 
Michaela - Alfred Jack
Silver Bullet - Elliot Holmes
Divider - Chris Zabriskie
Easy Listening In Jazz - Neruomancer
Some People Call Me Sam - Gabriel Lucas
Undercover Vampire Policeman - Chris Zabriskie
Devil In Disguise - Gabriel Parker
Walkin On Velvet - Kenny Salmon
Snowmen - Kai Engel
We Can Get By Baby - Matthew Sibley, Giacomo Trivelli 
After Work - Neuromancer

Walter Matthau and Bears in The Bad News Bears (1976)

Walter Matthau and Bears in The Bad News Bears (1976)

Credits:

This episode was written, narrated and produced by Karina Longworth.

Featuring special guests: Maggie Siff as the voice of Polly Platt.

Research and production assistant: Lindsey D. Schoenholtz.

Social media, transcription and additional research: Brendan Whalen.

Transcription and additional research: Kristen Sales and Wiley Wiggins

Producer: Tomeka Weatherspoon.

Editor:  Brendan Byrnes

Audio engineers: Jared O'Connell, Andrea Kristins and Brendan Byrnes.

Supervising Producer: Josephine Martorana.

Executive Producer: Chris Bannon.

Logo design: Teddy Blanks.

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