George Cukor 1960-1981 (The Old Man is Still Alive, Part 12) / by Karina Longworth

George Cukor in 1973. Photograph by Allan Warren.

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George Cukor had always experimented within his relatively broad lane, often finding nuanced ways to explore women’s lives, including their sex lives, under the constraints of the Production Code. But after winning the best Director Oscar for Best Picture-winner My Fair Lady in 1964, Cukor’s career slowed down considerably, and as the 60s turned into the 70s and both gender roles and the movies went through massive changes, Cukor was still making the same kinds of things he would have made at the peak of the studio system, regarding which he adopted an extremely defensive stance. Then, suddenly, in 1981, with Rich and Famous, Cukor caught up with the sexual revolution – a decade too late.

Candice Bergen and Jacqueline Bisset in Rich and Famous, 1981, MGM

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Rex Harrison and Audrey Hepburn in My Fair Lady, 1964, Warner Bros.

Music:
The music used in this episode, with the exception of the intro, was sourced from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca.  

Excerpts from the following songs were used throughout the episode:

Nursery - ZigZag Heart

Whale Watcher - Smooth Waters

Bitters - Our Only Lark

Reflections - Frank and Poet

Muffuletta - Net and the Cradle

Nursery - Lick Stick

Vermouth - Chai Belltini

Confectionery - Calisson

Confectionery - Tarte Tatin

Eltham House - Heath

Fornax - Four Cluster

Architect - Kirkus

Magenta - Coquelicot

Oslo - Engine

Migration - Heather

Simple Machines - Krok

Chris Zabriskie - I Need to Start Writing Things Down


This episode was written, narrated, edited and produced by Karina Longworth.

Our editor this season is Evan Viola.

Research, production, and social media assistant: Brendan Whalen.

Logo design: Teddy Blanks.

Cukor with Jacqueline Bisset on the set of Rich and Famous, 1981, MGM