Karina Longworth

Make Me Over - You Must Remember This Companion Series Coming January 21 by Karina Longworth

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In this companion series to You Must Remember This, Karina Longworth will introduce eight stories about Hollywood’s intersection with the beauty industry. Told by writers/reporters known for their work at The New Yorker, The New York Times and other publications, Make Me Over will explore a range of topics, including Hollywood’s first weight loss surgery, the story of the star whose unique skills led to the development of waterproof mascara, black beauty in the 1990s, and much more. Join us, won’t you?

Join us on Patreon! by Karina Longworth

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As you probably know, You Must Remember This has been on hiatus since early February. Subscribe to our Patreon page to find out what’s next for the podcast!

Patrons who donate $5 per month will receive a biweekly newsletter, which will be the place to get early/exclusive information about what Karina is working on—including new seasons of You Must Remember This— as well as what she’s reading, watching and recommends.

In the future, Patreon patrons will get exclusive access to special podcast episodes, book clubs, film clubs and more — we’ll be revealing more tiers and more benefits in the coming months. Join us, won’t you?

Ann Dvorak (The Seduced, Episode 3) by Karina Longworth

Listen to this episode on Apple Podcasts.

The child of a silent film actress, Dvorak was so determined to be a star that at first, she wouldn’t take no for an answer. Her big break came when she was cast in Howard Hughes’s production of Scarface. But Hughes would sell her contract to Warner Brothers, and when Ann later accused Hughes of having “sold [her] down the river,”  she would swiftly suffer the consequences of going up against Hughes in the press when his mastery over the medium of publicity was at its peak.

Paul Muni and Ann Dvorak and in Scarface, 1932

Paul Muni and Ann Dvorak and in Scarface, 1932

SHOW NOTES:  

Sources:

Seduction: Sex, Lies, and Stardom in Howard Hughes’s Hollywood by Karina Longworth

Ann Dvorak: Hollywood's Forgotten Rebel by Christina Rice

Howard Hawks: The Grey Fox of Hollywood by Todd McCarthy

“Sold Down the River’ Declares Ann Dvorak.” Los Angeles Times, July 19, 1932

Production Code Administration files on Scarface, Margaret Herrick Library

Lincoln Quarberg files, Special Collections, Margaret Herrick Library

Clips from Scarface (1932) and The Strange Love of Molly Louvain (1932)

Ann Dvorak and Richard Cromwell in The Strange Love of Molly Louvain (1932)

Ann Dvorak and Richard Cromwell in The Strange Love of Molly Louvain (1932)

Music:

The music used in this episode, with the exception of the intro and outro, was sourced from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca. The outro song this week is “Slow Down” by Blur.

Excerpts from the following songs were used throughout the episode:

Reflectif - Artist Unknown 

Time for Miles - Artist Unknown 

Kansas City Flashback 1 - Magnus Ringbloom

Club Noir 2 - John Ahlin

Yellow Leaves 5 - Peter Sandberg

Whiskey Rondo - Hakan Eriksson

Cluedo - Hasan Eriksson 

Tomorrow I’ll Be Gone - Franz Gordon

The Smoke Room - Gunnar Johnson

Loser - Anders Ekengren

After the Freakshow - Jenny Roos

Victoria’s Vintage Pearls 3 - Peter Sandberg

Jazz and Blue Piano 1 - Jonathan Jarpehag

Traceless 5 - Peter Sandberg

Empty Streets - Gunnar Johnson

Got That Feeling - Peter Sandberg

Credits:

This episode was written, narrated and produced by Karina Longworth.

Special Guest Noah Segan as Howard Hughes

Editor: Olivia Natt.

Research and production assistant: Lindsey D. Schoenholtz.

Social media assistant: Brendan Whalen.

Logo design: Teddy Blanks.

Photo from the personal scrapbook of Ann Dvorak/Collection of Christina Rice via Huffington Post

Photo from the personal scrapbook of Ann Dvorak/Collection of Christina Rice via Huffington Post

The Bacchanal of 1920s Hollywood, via Frederica Sagor Maas (The Seduced, Episode 2) by Karina Longworth

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Listen to this episode on Apple Podcasts.

Seduction begins at an MGM sponsored orgy at the Ambassador Hotel, as told through the eyes of one of the attendees, a young female screenwriter named Frederica Sagor. Sagor would go on to pen one of the frankest memoirs of 1920s Hollywood ever written, revealing the systematic sexual exploitation of women in the film industry by men like Marshall Neilan -- one of Howard Hughes’s early mentors. Frederica’s story also details how tough it was for a woman to hold on to power behind the scenes in the film industry as Hollywood evolved. 

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SHOW NOTES:  

Sources:

Seduction: Sex, Lies, and Stardom in Howard Hughes’s Hollywood by Karina Longworth

The Shocking Miss Pilgrim by Frederica Sagor Maas

Lois Weber in Early Hollywood by Shelley Stamp

Are the Stars Out Tonight? The Story of the Famous Ambassador and Cocoanut Grove “Hollywood’s Hotel” by Margaret Tante Burk

Marshall Neilan’s autobiographical notes, Marshall Neilan special collection, Margaret Herrick Library

Music:

The music used in this episode, with the exception of the intro and outro, was sourced from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca. The outro song this week is “It Could Be You” by Blur.

Excerpts from the following songs were used throughout the episode:

Reflectif (Artist Unknown)

The Charleston 1 Hakan Ericsson

Club Noir 4-John Ahlin

Waltz for Cello 3—Jonatan Jarpehag

42nd and Broadway (Artist Unknown)  

Got That Feeling-Peter Sandberg

My Simple Thing—Peter Sandberg

Chamber String Rock-Hakan Ericsson

Kansas City Flashback 1-Magnus Ringbloom

Sad Drama 4-Merlean

Loser-Anders Ekengren

Black and White Memories 3-Martin Hall

Jazz And Blue Piano 1-Jonathan Jarpehag

Viona’s Lullaby-Peter Sandberg

Sunset—Kai Vogel

Marshall Neilan and Mary Pickford on set, c. 1920's | Photo via the Mary Pickford Foundation

Marshall Neilan and Mary Pickford on set, c. 1920's | Photo via the Mary Pickford Foundation

Credits:

This episode was written, narrated and produced by Karina Longworth.

Editor: Olivia Natt.

Research and production assistant: Lindsey D. Schoenholtz.

Social media assistant: Brendan Whalen.

Logo design: Teddy Blanks.

Frederica Sagor Maas

Frederica Sagor Maas