Our Star Wars season explores the lives and work of stars during World War II.
Episodes:
BETTE DAVIS AND THE HOLLYWOOD CANTEEN: The first episode of this multi-part series starts with the woman who dominated all aspects of Hollywood, including its war effort, in the late 1930s-early 1940s: Bette Davis. This is the story of how she evolved from a wannabe starlet who was constantly told she was too ugly for movies, to the most powerful woman in Hollywood, by playing heroines that had never been seen on screen before — to borrow a term from Davis herself, sympathetic “bitches.” After Pearl Harbor, the tenacious Bette became the figurehead of the Hollywood Canteen, a nightclub for servicemen staffed by stars, which was the locus of the industry’s most visible support of the troops on the home front. Listen
CAROLE LOMBARD AND CLARK GABLE : Carole Lombard came into her own in the mid-1930s first as the queen of screwball comedy, and then as romantic partner to the star dubbed The King of Hollywood, Clark Gable. When the US entered World War II, to the chagrin of her stoic husband, Lombard immediately volunteered their services to FDR, and the actress ended up spearheading the first of many Hollywood whistle stop tours to sell bar bonds. Hurrying back from that tour, Lombard died in an awful plane crash, leaving a guilt- and grief-ridden Gable behind. In his despair, the 41 year-old Gable had strings pulled so that he could join the army to fight against Hitler -- a huge Gable fan who reportedly became desperate to capture the actor while he was flying combat missions over Germany. Listen
HEDY LAMARR: Hedy Lamarr was a pioneer in more ways than one. After inventing the movie sex scene scandal as the Austrian teenage star of the banned film Ecstasy, she gave up acting to become a trophy wife to a Fascist arms dealer. Then, on the brink of world war, she fled her marriage, hopped a boat to New York, and talked her way into a contract at MGM. With her first Hollywood film, Algiers, Lamarr became a major star, and the so-called "most beautiful girl in the world" had a promising career ahead of her. But she was bored in Hollywood, and in the midst of World War II, she used her free time to co-invent a radio-control technology meant for 1940s-era torpedoes, which would ultimately pave the way for cell phones, wifi, bluetooth, and drone warfare. Listen
GENE TIERNEY: On-screen, gorgeous brunette actress Gene Tierney helped to invent the femme fatale in movies like Laura and Leave Her to Heaven, and off-screen, she had serious romances with four of the great playboys of the 20th century: John F. Kennedy, Howard Hughes, Prince Aly Khan and costume/fashion designer Oleg Cassini. So how did she end up, at age 38, standing on a ledge fourteen floors above 57th Street, wondering what her body would look like on the pavement if she were to jump? The answer to that question begins at the Hollywood Canteen. Listen
RITA HAYWORTH AND ORSON WELLES: Margarita Cansino went to work at age 12, pretending to be her father’s wife so that the pair could get work as a dance team in Mexican nightclubs. Within a decade, chubby, visibly Hispanic wallflower Margarita had been transformed into Rita Hayworth — the quintessential all-American sex goddess of the World War II era. At the peak of Hayworth’s stardom, she fell in love with and married writer/director/actor/radio personality/magician Orson Welles. The glamour girl and the boy genius were happy together, for awhile — as long as both bought into a utopian plot they had cooked up to leave Hollywood. When that soured, the couple broke up…and then made a movie together, The Lady From Shanghai, in which Welles distorted their failed relationship into a bad-romance masterpiece. Listen
MARLENE DIETRICH AT WAR: German actress/singer Marlene Dietrich — famous for her revolutionarily ambiguous, highly glamorous sexual libertine persona, as displayed on-screen during the 1930s in films like Morocco and Shanghai Express — was embedded with the Allies during World War II as a performer, propagandist, and de facto intelligence agent. We’ll explore how and why this happened, why the experience left Dietrich depressed and financially destitute, and how Billy Wilder convinced Marlene to play a Nazi sympathizer in the filmmaker’s attempt to make a post-war Hollywood propaganda film, A Foreign Affair. Also: a few of Dietrich’s many affairs with co-stars such as John Wayne and Jimmy Stewart, her plot to kill Hitler, and the FBI investigation that tried (and failed) to prove that Dietrich was a German spy. Listen
LENA HORNE: Signed to a contract by MGM in 1942, stunning singer/actress Lena Horne was the first black performer to be given the full glamour girl star-making treatment. But as the years went on and her studio failed to make much use of her, Horne started feeling like a token — and she wasn’t just being paranoid. A tireless USO performer during World War II, Horne and MGM were deluged with fan mail from African-American soldiers, an outpouring of support which still didn’t change the fundamentally racist institutional attitudes holding Horne back. Listen
HOW NORMA JEANE BECAME MARILYN MONROE: In this episode, we’ll explore how Marilyn became Marilyn, by tracing the former Norma Jean Baker from her troubled childhood through the war years, her early struggles to get a foothold in Hollywood, and the nude photo scandal which cemented her stardom. We’ll see how the future Marilyn’s experiences mirrored those of other American woman, and the culture at large, in the post-war decade, and we’ll see how her projection of vulnerability and even victimhood would ultimately have radical implications. Listen
JOHN HUSTON AND OLIVIA DE HAVILLAND: She was the raven-haired beauty whose lily-white persona was forged by her supporting roles in Gone With the Wind and several Errol Flynn swashbucklers. He was the real-life swashbuckler, the heroic lover/drinker/fighter whose directorial debut The Maltese Falcon, was an enormous success. They met when Huston directed de Havilland in his second film, In This Our Life, and began an affair which would continue, on and off, through the decade, as he joined the Army and made several controversial documentaries exposing dark aspects of the war experience, and as she waged a war of her own, taking Warner Brothers to court. Listen
ERROL FLYNN: Errol Flynn arrived in Hollywood in 1934 and almost immediately became a massive star, his swashbuckler-persona propelling many of the decades biggest action hits, from his debut Captain Blood to his signature film, The Adventures of Robin Hood, and beyond. Flynn's dashing good looks, put-on posh British accent and life-of-the-party personality masked the fact that he was actually an Australian bounder with a shady past, a history of recurrent malaria and a propensity to avoid reality by any means necessary. Secretly too sick to serve in World War II, Flynn stayed home in Hollywood and instead starred in perhaps the biggest sex scandal of the decade. Listen
CHARLIE CHAPLIN: The most successful film of Charlie Chaplin’s career was also the most controversial: in The Great Dictator, Chaplin viciously satirized Hitler before the US entered World War II, and the comedy helped rally a previously war-shy American public. We’ll explore the connections between Chaplin and Adolf Hitler, and explain why most of Hollywood tried to stop The Great Dictator from being made. Then we’ll switch gears to discuss how Chapin’s wartime activism and his troubled personal life collided to benefit J. Edgar Hoover, who spent thirty years trying to prove that Chaplin was dangerously un-American. Listen
BOB HOPE VS. BING CROSBY: Bob Hope is remembered as the 20th-century celebrity most devoted to entertaining the troops. Bing Crosby, Hope’s partner on seven films, sang the song that became an unlikely alternate national anthem during World War II. This is the story of Hope and Crosby’s partnership, their rivalry, and the different ways they endeared themselves to the boys overseas. Included: Hope’s embrace of multi-media celebrity and his mastery of hosting the Oscars; and Crosby’s road from drunk driving to blackface, to being voted the most admired man in America. Listen
WALT DISNEY: As the creator of Mickey Mouse, Donald Duck and, with Snow White and the Seven Dwarfs, the inventor of the sophisticated feature-length animated film feature, Walt Disney changed Hollywood and brought millions of children and adults boundless joy. And yet, Disney’s legacy is marred by the common perception that he was also a racist, misogynist and anti-semite. Listen
FRANK SINATRA THROUGH 1945: Old Blue Eyes was once a young, skinny kid from Hoboken, and his rise to fame coincided almost exactly with the end of the Depression and the run up to and fighting of World War II. Unlike so many young men, famous or otherwise, Sinatra didn't enlist, and the controversy over whether or not he was a "draft dodger" hung over his head, even as he suited up in films like Anchors Aweigh. Listen
WHY JOHN WAYNE DIDN’T SIGN UP: No actor on movie screens in the 1940s embodied American patriotism and unpretentious masculinity better than John Wayne, whose career was revitalized in 1939 with John Ford’s groundbreaking western, Stagecoach. But Wayne didn’t have the defining experience of most adult American men of the 1940s — though he played uniformed men in several movies, off-screen Wayne didn’t enlist to serve in World War II. Listen
VAN JOHNSON: Join us, for the final episode in our Star Wars series (for now). Van Johnson was MGM’s big, All American heartthrob during World War II, and one of the most reliably bankable stars in Hollywood, on and off, for over a decade. On screen, Johnson embodied bland, unthreatening, boyishness. Off-screen, he was an introvert with a mysterious personal life, and by 1947, Van’s lack of a lady friend was becoming a distraction. In a bizarre effort at damage control, Van married his best friend’s wife — on the same day as their divorce. Listen